The Mechanic (1972)

This was the second of six collaborations between director Michael Winner and actor Charles Bronson, the most well-known of which is the 1974 Death Wish.  It was the basis for the 2011 Jason Statham starrer of the same name.  Knowing either of these facts can lead one to  assume that this is an action thriller.  I’d suggest caution in making such an assumption.

Unlike the 2011 movie, in this movie, the action sequences are fewer, and primarily intended to liven up what otherwise comes across as a brooding, measured character study.  Though the broad strokes of the storyline are similar, there are notable differences in plot points and character motivations that might surprise anyone who has seen the 2011 movie. 

Bronson plays the title role: a contract killer, whose methodical, painstaking approach and icy exterior is introduced to us via a remarkable 15 minute dialogue-free opening scene.  But there’s another side to him that slowly unfolds.  He suffers from pangs of loneliness and anxiety attacks.  Somewhere along the way, he takes on a cocky young apprentice (played by Jan-Michael Vincent), with a cold-blooded demeanour and a penchant for  mind games.  It is their relationship that becomes the focus of the movie from that point onwards.

Personally, I found it fascinating- largely on account of its themes and the writing.  For my money, this is better than the 2011 movie.  It may not be as slick, but it is certainly more thoughtfully crafted. 

Here is a link to a clip from the movie.